This is a series of weavings I have been working on in the studio for the last six months or so. I cut maps from old atlases and then weave them together to create new, mystical countries. After weaving the maps together I treat them with wax and then sometimes add other materials: string, photographs…
I’ve always had a fascination with “place”. And I enjoy working with encaustic to create weird collages. The process represented here combines these interests.
These are all from a trip to New Orleans a friend and I took this past week. The vibrant color is real and aptly represents the positive energy of the neighborhoods we visited. Most of these were taken in the Bywater, some in the Warehouse District.
Mia and I returned to Dead Horse Bay. She got busy working on a mandala – gathering beach glass, shells, metal objects and sorting them by color. She then used an old piling to create
a compass, and drew a large circle, then a spiral, in the sand. The collected objects went into the piece and it was a pleasure to watch her creative process unfold. I constructed some small weavings in the woods near the site, but I was mostly captivated by the place that day. The tide was going out quickly and, with each passing few minutes, more discards were revealed at the tide line. I walked south to discover some metal structures and other ruins along the beach. I photographed everything, and still can’t get enough of the tarnished magic of this place.
I took another trip to the Pennhurst School – a residential facility for children with disabilities that closed in 1987. The media had reported repeated instances of abuse and neglect, and the school did not keep up with advances in the treatment of mental disorders and differences. Most of the buildings and grounds of this immense facility are off limits. Here are a few images captured in the two buildings that are still open on occasion: