This is a series of weavings I have been working on in the studio for the last six months or so. I cut maps from old atlases and then weave them together to create new, mystical countries. After weaving the maps together I treat them with wax and then sometimes add other materials: string, photographs…
I’ve always had a fascination with “place”. And I enjoy working with encaustic to create weird collages. The process represented here combines these interests.
These are all from a trip to New Orleans a friend and I took this past week. The vibrant color is real and aptly represents the positive energy of the neighborhoods we visited. Most of these were taken in the Bywater, some in the Warehouse District.
Last week I wrapped up another road trip. We drove form NYC to Florida to visit friends and relatives, and to get some relief from the cold. On the way we stopped for lunch at South of the Border. It wasn’t how I remembered it – but my first visit was on one of those a dark, rainy nights where the world is all but invisible..
I was here only once before, years ago. My parents were stationed in Orlando, Florida and I was going to school in upstate New York. After freshman year I accepted a ride from an acquaintance who lived in Miami. He had a van, long hair, and he drank a lot of coffee and smoked a lot of cigarettes between Annandale and Orlando. I was feeling crummy the whole trip – the last night at school had been celebratory and I probably smoked two packs of cigarettes along with whatever we all drank at the final party of the year. So I quit. I’d been smoking since I was eleven, I was addicted, but that was it – I just didn’t want to ever smoke another cigarette – so I didn’t. Still haven’t.
My driver wanted to go straight, without stopping, all the way to Florida. He mentioned dinner at South of the Border – something to look forward to. Other than that he didn’t say one word to me the whole ride, and, since he was a graduating senior on his way to law school that fall I was too intimidated to start up a conversation. I remember it was raining – dreary. Finally we pulled into the small metropolis that was SOTB and walked into a shabby little building where you had to order at the counter then take your food to a table nearby or out to the car. It was crowded.
After several minutes on line my companion stepped up to the counter and ordered for both of us. A woman at his elbow received her order but told the counter attendant to take it back. “He breathed over my food” she said. Loudly and glaring in our direction. I steeled a sideways glance at my companion. He was looking down at the counter, his cheeks reddened. After some back and forth the lady was brought a new dinner – the styrofoam container sealed shut. We stepped aside to let her pass.
We took our food to the car. We ate in silence. My friend drove. I slept a bit after that, and when we arrived in Orlando he helped me to the door with my bags, said hello to my parents and went on his way.
Mia and I returned to Dead Horse Bay. She got busy working on a mandala – gathering beach glass, shells, metal objects and sorting them by color. She then used an old piling to create
a compass, and drew a large circle, then a spiral, in the sand. The collected objects went into the piece and it was a pleasure to watch her creative process unfold. I constructed some small weavings in the woods near the site, but I was mostly captivated by the place that day. The tide was going out quickly and, with each passing few minutes, more discards were revealed at the tide line. I walked south to discover some metal structures and other ruins along the beach. I photographed everything, and still can’t get enough of the tarnished magic of this place.
Thinking a lot about homes and shelter. This is a 3-d sketch of an idea about a little lean-to. Like the “forts” we used to build in the livingroom by pulling together the dining room chairs and draping blankets across the backs. We’d crawl in and feel safe in our little cocoons.
Now that the Open Studios 2012 event is over I’m ready to start fresh on a new body of work. The sight of these four walls is inspiring, though in fact I have installed a work area near the window since this photo was taken.